|Series||A Delta book|
|LC Classifications||PN1995.9.E96 C8 1978|
|The Physical Object|
|Pagination||207 p. :|
|Number of Pages||207|
|LC Control Number||78317749|
This book was published in and the methodology (or lack thereof) reflects this. Film Studies was in its infancy in the academy so its understandable that rigorous works were not being produced with regularity. With that said, this book is useful in its discussion of numerous experimental works/5. Womens Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, /5. Women’s Experimental Cinema. provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the s and many of whom are still working today.. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, 5/5(1). Experimental Cinema, The Film Reader. ISBN | Quantity: Shopping Cart Summary. Book Description. This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant.
Internet Archive BookReader Experimental Cinema (). Experimental cinema Magick Lantern Cycle Renowned as the author of the scandalous bestselling book Hollywood Babylon, Kenneth Anger is a legend in this own time. Experimental and avant-garde film is cinema made outside of the film industry on an artisanal basis, largely without regard to the structures and demands of traditional narrative film. While experimental film as a separate mode of film practice is international, its most prevalent manifestations were in western Europe before World War II and. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.
The world of experimental or avant-garde (vanguard) cinema has a history just as rich as narrative film (it could be said that the two run on parallel tracks). While usually associated with European filmmakers, America has its own rich tradition of avant-garde and experimental filmmakers. Very loosely defined as any film that doesn't use narrative . OCLC Number: Description: pages: illustrations ; 21 cm. Contents: The economic structure --The European avant-garde --France, --Germany, --Russian experiments --Transitional animators --America between the wars --Avant-garde film-makers, --Popularization of film-making --Hollywood: innovation and experiment --America since the war --East coast: cinema . COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle . Wheeler Winston-Dixon, Gwendolyn Audrey Foster (eds.), Experimental Cinema: The Film Reader, London and New York: Routledge, , pp. Covers the field of experimental and avant-garde cinema from the s onward, concentrating on movements and varied key figures, with a concentration on issues such as gender, sexuality, and race, as well.